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What if all of your clients knew exactly what to expect during the real estate transaction? Imagine how comfortable they would be, how less likely they would be to freak out over the smallest bump in the road. Taking the time to educate your clients takes this premise and makes it a reality.
Even better is to educate your prospects before they become clients. We all know that a prospect can be anyone, anywhere, so reaching out to the broadest possible audience in your efforts to educate makes sense.
Let?s take a look at some of the ways agents across the country are educating prospects in their efforts to created savvy clients.
Homebuyer seminars are hardly innovative ? agents and lenders have been organizing them for decades. The agents? motives typically revolve around lead generation, and that?s OK. But the education aspect of the seminars shouldn?t be ignored.
Agent Deb Tomaro holds buyer seminars in Bloomington, Ind. Sure, the events help pull in prospects, but once converted, these people turn into the best kind of clients.
?They know what to expect, they know the process, so I?m not having to micromanage them,? Tomaro explains. ?They are able to keep things in perspective, they understand the big picture, and they know what they?re doing.?
The most important step when considering holding seminars is to determine your audience. This should be easy if you practice in a real estate niche. If you are a generalist, consider some of these audiences:
The toughest part of the process is the planning, but the Real Estate Buyer?s Agent Council of the National Association of Realtors? has a handy online pamphlet that walks agents through each step.
Less than 1 percent of real estate agents use radio and television in their marketing campaigns, according to Matt Wagner, founder of Radio and Television Experts.
Of the two, radio is by far the preferred medium if you plan on buying advertising or hosting your own real estate show. The main advantage of radio over television is cost ? radio is far less expensive.
Now, we aren?t talking so-called radio shows or podcasts online. Instead, we?re talking Marconi?s radio, conventional broadcast radio stations with four call letters and a designated frequency ? that kind of radio.
For the purposes of educating prospects, you?ll need more than a 30 second spot. The back and forth of a call-in talk show is ideal for educating prospects.
How much will this cost? It depends on the size of the market, the station?s ratings and the time of day you choose. Stations in New York City and Los Angeles charge far more for advertising than those in Grand Forks, N.D. and Casper, Wyo.
Thankfully, real estate talk shows typically occur on weekends, when air time is the least expensive. If you live in a small enough market, and a station is in need of content, you may even end up with free air-time. But that would be the exception, not the rule.
Otherwise, many agents pound the pavement, or the telephone, to drum up sponsors for the shows, in exchange for mentions on the air. Good prospects are title companies, home inspectors and lenders.
Of course, there are ad agencies, radio airtime brokers and others, such as Radio Fifty, who will actually do all the groundwork for you, for a fee.
Although the eulogy has yet to be written, newspapers are expected to take their last gasps by 2016, according to USC?s Annenberg Center for the Digital Future. They predict that only the very largest and smallest papers will survive.
Like real estate, however, print journalism is quite local. While many real estate consumers rely on the Internet for real estate listings and information, in some towns, it?s the local newspaper that is still the go-to source.
Robin Shapiro, broker-owner of Robin Shapiro Realty in Rockaway Park, N.Y., finds great success with her hometown paper, The Wave. Before it was put online ?people would actually cross over the bridge to buy it,? she said.
If that sounds like the paper in your town, it may just be the place to offer your services as their real estate advice columnist. Call the editor and make the pitch. Even if you don?t fancy yourself a writer, you can hire an inexpensive freelance editor to go over your copy before sending it on to the paper.
If you enjoy writing, and you?re good at it, consider writing an e-book and offering it free on your website.
Edina Realty?s Kris Lindahl started offering his free e-book, ?A Homeowner?s Guide to Short Sales,? last year.
?Short sales are one of the most confusing real estate transactions for the general public,? he explains. ?I?m finding that the prospects I convert from my e-book are far better informed and prepared for the short sale process than others,? he concludes.
Yes, writing an e-book is time consuming. Formatting it is also a time suck. That?s why many agents hire ghostwriters to write their books. Depending on the length of the book, most ghostwriters aren?t as expensive as you might think.
Blogging helps you educate prospects on a range of real estate issues. It?s a great way to let them know about current market trends so they know what to expect when they decide to enter the market.
Examples on blog topics that help educate prospects include:
While there are many ways to educate your clients, why not choose a method that reaches a massive amount of people and combines lead generation with education? Even if you have to pay for the method, you can bask in the fact that you?re getting a two-fer.
Tagged as: blogging, clients, educate, educating, education, leads, marketing, prospects, radio, seminars
Source: http://www.realestate.com/advice/educating-your-prospects-83912/
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When people with bloodshot eyes meet in one place to screen films, it is the custom to call this gathering a film festival.
Contrary to popular belief, it was not the Lumi?re brothers who invented the cinematograph, but the mathematician Archimedes (287-212 BC).
According to Archimedes, indeed, any film thrown into a festival receives, by the notoriety given to it by this presentation, a thrust equal to:
The film considered is thus attributed a new surge of glory for its director, revenue for the producer and a ranking in the Guinness book of records for the work itself.
What are the characteristics purporting to justify the denomination "festival film"?
Unlike the works of great directors, a festival film is designed for the sole purpose of being selected for one of these international festivals, of which the Cannes Film Festival is the nec plus ultra, if we are to believe Plato of Athens ( 427-348 BC). The same Plato whose myth of the cave allowed him to claim the invention of the film theater.
The contenders for the title of festival film long believed it was enough to imagine out-of-the- ordinary roles to cause programmers, critics, jurors and spectators of this demented concoction to gape in admiration: between fallen sister and addicted sister, who will therefore prevail, Bette Davis or Joan Crawford, with her contortions and blood and thunder posturing, gesticulations and vehemence? Everything that ostentation -- and even worse, pretention -- can do to be noticed and admired.
That can be the stance of the twisted hunchback, with whom all post-Charles Laughton Quasimodo can identify; it can be a rape in a subway corridor, simulated or not, with the unfortunate Monica Bellucci writhing beneath the vile attacker; it could be Jack Nicholson when he raises his eyebrows the way a flamenco dancer raises her skirt; or finally it could be an articulated shark, whose jerking fins show it has fangs, Oh President Spielberg!
In short, everything that serves to magnify the cardinal virtue of the festival film, starting with exaggeration. Excess in all its forms.
At other times, the festival film quiets down, and the subterfuge takes a different form. Now it's all internalized expressions; sobriety is of the essence, minimalism on show. Meryl Streep's imperceptibly quivering nostril in The Bridges of Madison County just as the peak of emotion is meant to be reached, and the top prize is pre-empted.
Admittedly, a tear sometimes formed in the corner of the selection committee's dry eyes, but we always ended up by finding somebody insensitive enough to shout "Oh no! Not for me..." And the film was not chosen, because it is so true one person's opinion expressed categorically can tip the balance in favor of disfavor.
The snobbery of the "art film" appeared around 1910-1920, then of the "avant-garde film", and so on, from one genre to the next, but by the time we realized they existed, the trend was over, demonstrating once again with Euclid (300 BC) that the sum of prime numbers does continue to infinity, i.e.:
This is why, after so many attempts, the concept of the festival film fell by the wayside and we returned to the practice of making, quite simply, the best films possible.
Which was already not so bad after all.
Translated and cross-posted from the original French on Le Huffington Post.
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Follow Gilles Jacob on Twitter: www.twitter.com/jajacobbi
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SANAA, Yemen (AP) ? A Yemeni official says a military plane on a training exercise has crashed into a neighborhood in the country's capital.
The military official says the plane went down Monday in a southern district of Sanaa. There was no immediate word on casualties.
He says military experts are investigating.
The official spoke on condition of anonymity according to the rules.
In February, a military plane flying a training mission crashed in Sanaa, killing 10 people and destroying two houses.
Source: http://news.yahoo.com/yemeni-military-plane-crashes-nations-capital-092207489.html
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Contact: Shilo Rea
shilo@cmu.edu
412-268-6094
Carnegie Mellon University
Event: Carnegie Mellon University will award the first Andrew Carnegie Prize in Mind and Brain Sciences to Leslie G. Ungerleider, chief of the Laboratory of Brain and Cognition at the National Institute of Mental Health (NIMH).
The prize, funded by the Carnegie Corporation of New York as part of its centennial celebration, recognizes trailblazers in the mind and brain sciences whose research has helped advance the field and its applications.
Ungerleider, an experimental psychologist and neuroscientist, is well known for a neurobehavioral theory identifying two cortical visual systems in the primate brain, one for object recognition and one for visuopatial perception. This theory has revolutionized the way we think about the functional architecture of human vision and exemplifies Ungerleider's ability to integrate psychology and brain research. Her work has set high standards for the entire field of cognitive neuroscience and has significantly advanced the understanding of brain functions and their relevance to public health.
She is a fellow of the National Academy of Sciences, a National Institutes of Health (NIH) Distinguished Investigator and the past recipient of the Women in Neuroscience Lifetime Achievement Award.
As part of the Carnegie Prize ceremony, Ungerleider will present some of her recent research in a talk titled "The Functional Architecture of Face Processing in the Primate Brain."
"Dr. Ungerleider has been at the forefront in the field of cognitive neuroscience for over three decades," said Michael Tarr, the Cowan Professor of Cognitive Neuroscience in CMU's Dietrich College of Humanities and Social Sciences' Department of Psychology and co-director of the Center for the Neural Basis of Cognition (CNBC). "Her research on the functional organization of the primate visual system has been immensely influential to generations of brain scientists. In collaboration with the Carnegie Corporation, the Carnegie Mellon community in the behavioral and brain sciences - through the CNBC - wanted to create a means for publically acknowledging and promoting such significant lifetime contributions. Dr. Ungerleider is richly deserving of the inaugural awarding of this prize and her achievements do great honor to us."
The CNBC, a joint program between CMU and the University of Pittsburgh, has helped establish Carnegie Mellon and the Pittsburgh scientific community as a world leader in the brain and behavioral sciences. To build on its foundation of research excellence in psychology, neuroscience and computational science, CMU has recently launched a Brain, Mind and Learning initiative to enhance the university's ability to innovate in both the laboratory and in the world.
###
For more information, visit http://www.cnbc.cmu.edu/.
When: 4 p.m. Thursday, May 23; reception to follow.
Where: Singleton Room, George A. Roberts Engineering Hall, Carnegie Mellon University
?
AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.
Contact: Shilo Rea
shilo@cmu.edu
412-268-6094
Carnegie Mellon University
Event: Carnegie Mellon University will award the first Andrew Carnegie Prize in Mind and Brain Sciences to Leslie G. Ungerleider, chief of the Laboratory of Brain and Cognition at the National Institute of Mental Health (NIMH).
The prize, funded by the Carnegie Corporation of New York as part of its centennial celebration, recognizes trailblazers in the mind and brain sciences whose research has helped advance the field and its applications.
Ungerleider, an experimental psychologist and neuroscientist, is well known for a neurobehavioral theory identifying two cortical visual systems in the primate brain, one for object recognition and one for visuopatial perception. This theory has revolutionized the way we think about the functional architecture of human vision and exemplifies Ungerleider's ability to integrate psychology and brain research. Her work has set high standards for the entire field of cognitive neuroscience and has significantly advanced the understanding of brain functions and their relevance to public health.
She is a fellow of the National Academy of Sciences, a National Institutes of Health (NIH) Distinguished Investigator and the past recipient of the Women in Neuroscience Lifetime Achievement Award.
As part of the Carnegie Prize ceremony, Ungerleider will present some of her recent research in a talk titled "The Functional Architecture of Face Processing in the Primate Brain."
"Dr. Ungerleider has been at the forefront in the field of cognitive neuroscience for over three decades," said Michael Tarr, the Cowan Professor of Cognitive Neuroscience in CMU's Dietrich College of Humanities and Social Sciences' Department of Psychology and co-director of the Center for the Neural Basis of Cognition (CNBC). "Her research on the functional organization of the primate visual system has been immensely influential to generations of brain scientists. In collaboration with the Carnegie Corporation, the Carnegie Mellon community in the behavioral and brain sciences - through the CNBC - wanted to create a means for publically acknowledging and promoting such significant lifetime contributions. Dr. Ungerleider is richly deserving of the inaugural awarding of this prize and her achievements do great honor to us."
The CNBC, a joint program between CMU and the University of Pittsburgh, has helped establish Carnegie Mellon and the Pittsburgh scientific community as a world leader in the brain and behavioral sciences. To build on its foundation of research excellence in psychology, neuroscience and computational science, CMU has recently launched a Brain, Mind and Learning initiative to enhance the university's ability to innovate in both the laboratory and in the world.
###
For more information, visit http://www.cnbc.cmu.edu/.
When: 4 p.m. Thursday, May 23; reception to follow.
Where: Singleton Room, George A. Roberts Engineering Hall, Carnegie Mellon University
?
AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.
Source: http://www.eurekalert.org/pub_releases/2013-05/cmu-cmt051413.php
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